
Lectern: oil lamp

Pulpit: Manus Dei or hand of God

Pulpit: Agnus Dei (Lamb of God)

Pulpit: flames of the Holy Spirit

Baptismal font: descending dove

Baptismal font: scallop shell

Communion table: cross

Parapet: star

Parapet: cross with cup

Parapet: butterfly

Parapet: ship

Pew: torch

Pew: lily

Pew: harp

Pew: wheat

Sanctuary: grapevine
Visitors to our sanctuary probably
become aware rather quickly that it is replete with Christian symbolism,
from the large cross at the center of the chancel, to the images in the
beautiful old stained–glass windows, to the carvings on the pews and
lectern. But even those who have grown up in First Presbyterian Church often
don’t have a firm idea of what these symbols signify, or why the sanctuary
was designed as it was.
Fortunately, a former pastor of First Presbyterian, Dr. James Sprunt, researched
the topic of Christian architectural symbolism, spent some time looking
closely at the architectural and decorative symbols in our own sanctuary,
and did some thinking on the topic of sanctuary symbolism. The result was
the sermon "The Symbolism of the Sanctuary," which he preached
on June 17, 1956 and also published as a pamphlet for our reference. The
following is a paraphrase of that sermon.
The use of visual symbolism is hardly a practice unique to FPC. The Christian
Church has used symbolism almost from its beginnings, reaching an apex in
the Middle Ages, with the great cathedrals of Europe. While those cathedrals
contained images to convey spiritual messages to their mostly illiterate
congregations, today’s churches also use symbolism as an aid to worship.
First of all, the arrangement of our chancel (the front part of the sanctuary,
where the pastors sit) is itself symbolic. The architect chose to place
the pulpit on one side, the lectern on the other, and the communion table
in the center, under the central cross. Of course, there is no altar here,
in keeping with the Reformed tradition that holds that Christ’s sacrifice
was made once and for all, eliminating the need for any further sacrifice.
The table–centered arrangement may seem unusual, but it is in fact
an older design than the pulpit–centered church. The very earliest
Christian worship was still rooted in the synagogue, with its readings,
prayer, and praise, but the unique addition in the Christian church was
the Eucharist, with celebration of the Lord’s Supper being a part
of every worship service. Thus in the oldest churches, the table is central.
The table was later placed below the pulpit to aid in the serving of communion
by church elders. Also much later, the pulpit became central as the Puritans
stressed sermons and teaching in worship.
It was John Calvin’s intention to return to the ancient form and practice
of the church, so the table–centered chancel is more in keeping with
Calvinist ideals, with a corresponding deemphasis on the role of the pastor.
In our chancel, the focal point is not the pastor, but the open Bible, which
rests on the Table of God’s presence. A lectern is to one side, where
the Word of God may be read, and a pulpit is on the other side, from which
the Word may be expounded.
The next and most prominent symbol to notice is, of course, the large cross
in the center of the chancel. The cross, surely the most important Christian
symbol, speaks of our redemption through the sacrifice of Jesus Christ.
Our cross is referred to as "the cross in glory," with the sun’s
rays behind it transforming a grim symbol of death into a thing of glory.
The rayed cross speaks of how the risen Christ is forever triumphant over
death.
In the center of the cross are the letters "IHS," a monogram for
Christ. Like the older Greek form "IHC," it is the first three
letters of the Greek word for "Jesus." The four ends of the cross
are emblazoned with the traditional symbols of the four Gospels (symbols
derived from the four "living creatures" mentioned in the Book
of Revelation): Matthew (the winged man), Mark (the winged lion), Luke (the
winged ox), and John (the eagle). And the central shaft of the cross bears
an image of the Tree of Life, a reminder to us of the everlasting life gained
for us by Christ’s sacrifice.
The two stained–glass windows in our chancel announce the importance
of God’s Word as revealed to us in the Bible. The window on the left
represents the Old Testament, with Moses at the top and the Pentateuch (Ten
Commandments) in his arms. Below the image of Moses are the following medallions,
representing the major components of the Old Testament: Saul being anointed
by Samuel as the first King of Israel, to represent the historical books
of the Old Testament; David, the shepherd and singer, to represent the poetical
books; the commissioning of Isaiah by the seraphim with a coal from the
altar, to represent the major prophets; and the visions of Amos, to represent
the 12 books of the minor prophets. The window on the right represents the
New Testament, with the figure of Jesus Christ at the top. The medallions
in this window depict the following: Peter preaching at Pentecost, to represent
the Acts of the Apostles; Paul receiving the call at Macedonia, to represent
Paul’s letters; James writing his letter to the Hebrew Christians,
to represent the general epistles of the New Testament; and the risen and
enthroned Christ, surrounded by the four living creatures of the Apocalypse,
to represent the matter of the Revelation.
The lectern at the right of the chancel is used for Scripture readings and
bears on its base an open book with a lamp, reminding us of the passage
from the 119th Psalm, "Thy word is a lamp unto my feet, and a light
unto my path." On the left of the chancel, the pulpit, which is used
for sermons, has three projecting sides, which bear the symbols of the Trinity:
the Manus Dei (hand of God), which reminds us of God’s creative
power as well as His mercy and love; the Agnus Dei (lamb of God),
the symbol of Christ, which reminds us that we were "redeemed, not
with corruptible things, with silver or gold, but with precious blood, as
of a lamb without blemish"; and the flames of fire, associated with
the inspirational quality of the Holy Spirit and the tongues of fire that
touched the Apostles at Pentecost.
Appropriately, the Baptismal font in the chancel displays another symbol
of the Holy Spirit, for we believe that the sacrament of baptism
is itself a symbol of our inward cleansing from sin through the power of
the Holy Spirit. This time, the symbol is the descending dove, which appeared
during Jesus’s own baptism by John the Baptist. The cleansing water
of the Spirit during a baptism is also symbolized by the scallop shell on
the other side of the baptismal font. In Christian iconography, John the
Baptist was often depicted as pouring water from a scallop shell.
On the front of the central communion table is a cross because as Paul instructed
us, "As often as you eat this bread and drink this cup, you proclaim
the Lord’s death until He comes again." The table is also carved
with roses, symbols of Jesus who, as Isaiah predicted, would "make
the desert blossom as the rose." The panels under the chancel windows
depict other sacramental symbols: wheat, representing the bread of the sacrament
of the Lord’s Supper, and a grapevine, representing the shed blood
of Christ’s sacrifice.
Across the chancel parapet is a series of symbols that tell the story of
the Gospel. From left to right, you see the following visual emblems:
At the ends of each pew in the sanctuary are carvings of five alternating symbols:
Across the parapet and in several other places is a vine motif, symbolizing the community of Christians and Christ himself, who said, "I am the Vine, and you are the branches." And we could also say that our sanctuary and its many emblems from Scripture and from the earliest Christian traditions unites us as a community of faith and reminds us what we believe and practice together in this place.